Bahia asked her to find solace in crying and that expressing her grief would make her feel better. Suddenly, he notices a female doctor talking to someone at the end of the corridor. Hajj Bahi tries to fix things by saying that she is indeed one of a kind. In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage. He even had one of his servants monitor Karima so as to keep her from doing anything that might bring shame to his name. The following morning, the maid confesses to another maid that she is saddened by the death of their employer and the he was a kind and generous man, she even wished that Mennana, her mistress, died instead of him because of her rough treatment towards them. The series begins with the death of their father, an event to which Mennana reacted with a surprising composure and asked her daughters not to shed a single tear before the sun rises.
It tells the story of a widow, Mennana, who is the mother of four daughters and who struggles to keep them in control and confine them to their home. Hanae is a nice person and a competent heart surgeon. She explains that she is pregnant. Contrary to the first scenes, this one does perpetuate stereotypes; on the contrary, it challenges them. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations. She pretends that she is attracted to him and that arouses his suspicions which push him to leave hurriedly.
He asks the maid where Karima is, when the latter tells him that she is in her room he asks her to call her lala order to say Hi to Rachid. She waits until Karima leaves and calls her boyfriend again wishing that he would answer the call.
مسلسل بنات لالة منانة الحلقة 5 Bnat Lala Mnana Episode 5
It is the newest one of the two as it was only aired in This is exemplified when Sfiya sobs with her granddaughters and blames their mother in front of them for putting their father through a lot of misery. The theoretical part will tackle the position of women in the Moroccan media according to official reports and statements by vnat in the field as well as government figures.
It was chosen in order to shed light on how the conservative mentality regards women and it serves as menaha unique example of a series that features a feminist figure who originates from a rural area which is worth oalla and putting under the microscope. Karima also argues that if the women of the village showed solidarity with each other then no one can touch them.
Conclusion The aim of this paper was to investigate the representation of women in the Moroccan. The eldest daughter offered to tend to the widows bnt the guests are gone while showing her frustration after mopping the floor of the whole house.
The second series is Dar El Ghezlane who at the beginning seems like another stereotypical television show but in fact it provides the reader with a different outlook on the situation of the Moroccan women through portraying the pressure that a free thinking Moroccan women who has palla principles lives under and how she copes with the situation in a rural area where the views on women are traditionally conservative.
Karima and Lallaa Episode 1, Indeed, Rachid falls into the trap of this idealized housewife and declares that he prefers rural women to Spanish ones just because they are good housewives and excellent cooks. She then starts sneering at Hajj Bahi and mocking at the fact that he gathered all these people just to welcome a doctor.
She explains that she is pregnant. Mounia quickly gets mehana with him for talking about her sister that way.
She is represented as being shameless in her denial of her mistakes and trying to win the favor of other women by engaging in 16 Bnat La La Mnana, Episode 1 www. Bnat La La Mnana, Episode 1 www. Mounia and Karima Episode 1, Mounia soon realizes that her sister is merely being cynical. Shocked, Rachid tells her that her father had not informed him of her pregnancy.
As soon as she opened the letter she discovered what seemed to be a will but someone called her before she could bnaf it. Karima eloquently responds by saying that she is not addressing her father now, because her father is at home. Chama then entered the scene and ran to hug her grandmother and they sobbed together; Rhimou and Bahia soon joined them.
In this case, Karima plays on the masculine conservative mentality by using the taboo of virginity to her advantage.
The theoretical part also tackled the situation of women in the national media and presented some studies that dealt with the same issue. In this scene we notice a shift from the urban area to mnana rural one. She breaks a vase saying that she will never accept it and walks into her menanna. Once more, the woman is depicted as a disrespectful figure that does not shy away from sneaking into the kitchen in the middle of a funeral to steal food. The Hajj asks about the whereabouts of his two girls and the maid replies that Mounia is in her room while Karima is out.
After a few bnar, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not. Another traditional view can be seen in this scene; that which states that no daughters should marry before her older sister.
Hajj blames Hssina, a servant, for not keeping an eye on Karima like he was told. The implication in this scene is that being a female will always attract the sexual interest of co-workers and that no matter how good she is at her job —even after successfully performing a heart surgery- she is still looked at as a body and judged as such.
She refuses to let him marry her by force. This gives the impression that women, no matter how 22 Dar el Ghezlane, Episode 1 www.
Analysis of the Images of Women 1. The latter accused Mennana of burying her son before she could see him one last time. Featured in this scene is a serious perpetuation of the stereotype about women having the tendency to argue about trivial matters in the wrong time and place, in this case the funeral of their father.
She also explained episide her son suffered with Mennana and lived a bitter life. Once again, Karima plays the role of the rebellious older sister who keeps an eye on her younger sister to keep her from doing anything that is against her feminist ideals.
She says that she knows what the women of the village are afraid of.
troupe takoon : bnat lalla manana -nora skali |
He apologizes to her for being disrespectful and worrying menama his shoe when she has just 19 Bnat La La Mnana, Episode 1 www. During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. Rhimou asked Bahia what she was doing in there; the latter replied that she was resting.
One of the women, Amina who is played by Noura Skalli, complains to her husband about the unpleasant smell there and sarcastically wonders if there was no water or soap around for people to smell that bad.