This page was last edited on 13 December , at But this level of truth extends to all the performances. Retrieved from ” https: Ayckbourn has revived the play himself on two occasions. In the ground-floor drawing room below stand the husband she means to leave Russell Dixon and the builder Leigh Symonds from whom the couple rent this supposedly haunted house. Plaster falls from the imaginary ceiling. In the course of one hectic night and morning, with continual running up and downstairs and in and out of rooms, these characters, each immersed in a personal problem, try to sort themselves out. Arthur Kopit , Anton Dudley.
Give the action a slow, steady start until the audience twigs what is what and who is where. Equally, we wait to discover whether the dithering Kitty, briefly reunited with Elizabeth’s monstrously boring brother, will elude his sleep-inducing presence. EngvarB from September Use dmy dates from September According to the set design favoured by the author, all three floors are represented on stage at a single level, with the actors’ movements between the floors expressed through mimed movement up and down flat staircases. The production nonetheless ran for nine months, from 2 September to 6 June Views Read Edit View history. The play ran for two months, from 20 February to 28 April The play is set in a dilapidated Victorian three-storey country house, reputedly a former bordello and said to be haunted by a deceased prostitute.
A Play by Play Spectacle of Ourselves.
Taking Steps review – Alan Ayckbourn’s farce is a tour de force | Stage | The Guardian
T his is one of the Ayckbourn plays that got away. The play takes place over two acts, both with continuous action. This page was last edited on 13 Decemberat The collision of these characters, plus a shy solicitor and the house’s unscrupulous owner, depends on farcical contrivance.
A Night in Provence. Countdown from Mixed Doubles Confusions: A Masterpiece of Comic Taking Steps has also had numerous performances from other theatre companies. A Flea in Her Ear Mortimer, trans.
In reality, what we actually see on the stage is a woman jumping up and down between two men. Ayckbourn describes Taking Steps as his only really classic farce.
Taking Steps: Synopsis
Plays by Alan Ayckbourn plays. In a collapsing house, relationships are falling apart. A Small Family Business. Order by newest oldest recommendations.
EngvarB from September Use dmy dates from September Inwith a relatively short period after the ill-fated London production, it was revived at the Stephen Joseph Theatre with Ayckbourn directing again and Michael Gambon as Roland. The production nonetheless ran for nine months, from 2 September to 6 June Alan Ayckbourn Alan Ayckbourn has spent his life in theatre, rarely if ever tempted by television or film, which perhaps explains why he continues to be so prolific.
The director was Alan Strachan. Views Read Edit View history. Loading comments… Trouble loading? Georges FeydeauBarnett Shaw. His solicitor and the vendor, a builder, arrive to complete the deal.
Taking Steps is a farce by British playwright Alan Ayckbourn. The men look upwards, wondering what is making the noise — they think they are alone. We yearn to know whether Elizabeth, a former dancer, will escape the overbearing clutches of her rich husband, Roland, who is poised to buy the supposedly haunted house.
In the course of one hectic night and morning, with continual running up and downstairs and in and out of rooms, these characters, each immersed in a personal problem, try to sort themselves out.
Georges FeydeauJohn Mortimer. Michael Simkins is superb as the seemingly self-assured Roland; the basilisk-like stare with which he fixes the clueless Tristram is hilarious, yet it gives a strange pathos to Roland’s ultimate breakdown.
This is the extra level, the one without which no Ayckbourn play is complete: Show 25 25 50 All. Threads collapsed expanded unthreaded.
Taking Steps review – Alan Ayckbourn’s farce is a tour de force
H ow do you make a farce with no doors? A Dram of Drummhicit.
The first act curtain finds the solicitor in bed with the wife thinking her to be a ghost and the fiancee inadvertently shut in the attic cupboard by the distraught tycoon who has taken refuge there in the spare bed. Ayckbourn was reportedly very unhappy with the London production, feeling both that the set, end-stage rather than in-the-round, did not work “it looked a bit like a furniture store”and that the director, Michael Rudman, had turned an aan farce into a star vehicle for Dinsdale Landon as Roland in the process overshadowing what Ayckbourn viewed as the central role of Tristram.
Stephen Joseph Theatre Westwood siteScarborough.
It is set on three floors of an old and reputedly haunted house, with the stage arranged so that the stairs are flat and all three floors are on a single level hence the play on words in the title.